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§2. Islamic aestheics
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§2. Islamic aestheics

 

Islamic art is not, properly speaking, an art pertaining to religion only. The term "Islamic" refers not only to the religion, but to any form of art created in an Islamic culture or in an Islamic context. It would also be a mistake to assume that all Muslims are in agreement on the use of art in religious observance, the proper place of art in society, or the relation between secular art and the demands placed on the secular world to conform to religious precepts. Islamic art frequently adopts secular elements and elements that are frowned upon, if not forbidden, by some Islamic theologians.

According to Islam, human works of art are inherently flawed compared to the work of God; thus, it is believed by many that to attempt to depict in a realistic form any animal or person is insolence to God. This tendency has had the effect of narrowing the field of artistic possibility to such forms of art as Arabesque, mosaic, Islamic calligraphy, and Islamic architecture, as well as more generally any form of abstraction that can claim the status of non-representational art.

The arabesque is a form of artistic decoration consisting of "surface decorations based on rhythmic linear patterns of scrolling and interlacing foliage, tendrils" or plain lines, often combined with other elements. Within the very wide range of Eurasian decorative art that includes motifs matching this basic definition the term "arabesque" is used consistently as a technical term by art historians to describe only elements of the decoration found in two phases: Islamic art from about the 9th century onwards, and European decorative art from the Renaissance onwards. Arabesques are a fundamental element of Islamic art but they develop what was already a long tradition by the coming of Islam. The past and current usage of the term in respect of European art can only be described as confused and inconsistent. Some Western arabesques derive from Islamic art, but others are closely based on Ancient Roman decorations. In the West they are essentially found in the decorative arts, but because of the generally non-figurative nature of Islamic art arabesque decoration is there often a very prominent element in the most significant works, and plays a large part in the decoration of architecture.

The limited possibilities have been explored by artists as an outlet to artistic expression, and has been cultivated to become a positive style and tradition, emphasizing the decorative function of art, or its religious functions via non-representational forms such as Geometric patterns, floral patterns, and arabesques.

Human or animal depiction is generally forbidden altogether in Islamic cultures because it is said to lead to sculptural pieces which then leads to worship of that sculpture or "idol". Human portrayals can be found in early Islamic cultures with varying degrees of acceptance by religious authorities. Human representation for the purpose of worship that is uniformly considered idolatry as forbidden in Sharia law. There are many depictions of Muhammad, Islam's chief prophet, in historical Islamic art.

 

The calligraphic arts grew out of an effort to devote oneself to the study of the Quran. By patiently transcribing each word of the text, the writer was made to contemplate the meaning of it. As time passed, these calligraphic works began to be prized as works of art, growing increasingly elaborate in the illumination and stylizing of the text. These illuminations were applied to other works besides the Quran, and it became a respected art form in and of itself.

Islamic calligraphy, colloquially known as Arabic calligraphy, is the artistic practice of handwriting, or calligraphy, and by extension, of bookmaking, in the lands sharing a common Islamic cultural heritage. This art form is based on the Arabic script, which for a long time was used by all Muslims in their respective languages. They used it to represent God because they denied representing God with images. Calligraphy is especially revered among Islamic arts since it was the primary means for the preservation of the Qur'an. Suspicion of figurative art as idolatrous led to calligraphy and abstract depictions becoming a major form of artistic expression in Islamic cultures, especially in religious contexts. The work of calligraphers was collected and appreciated.

Arabic, Persian and Ottoman Turkish calligraphy is associated with abstract arabesque motifs on the walls and ceilings of mosques as well as on the page. Contemporary artists in the Islamic world draw on the heritage of calligraphy to use calligraphic inscriptions or abstractions in their work.

Calligraphy has arguably become the most venerated form of Islamic art because the Arabic script was the means of transmission of the Qur'an. The holy book of Islam, the Qur'an, has played an important role in the development and evolution of the Arabic language, and by extension, calligraphy in the Arabic alphabet. Proverbs and complete passages from the Qur'an are still active sources for Islamic calligraphy.

Islamic Mosque calligraphy is calligraphy that can be found in and out of a mosque, typically in combination with Arabesque motifs. Arabesque is a form of Islamic art known for its repetitive geometric forms creating beautiful decorations. These geometric shapes often include Arabic calligraphy written on walls and ceilings inside and outside of mosques.

The subject of these writings can be derived from different sources in Islam. It can be derived from the written words of the Qur'an or from the oral traditions relating to the words and deeds of Islamic Prophet Muhammad.

There is a beautiful harmony between the inscriptions and the functions of the mosque. Specific surahs (chapters) or ayats (verses) from Koran are inscribed in accordance with functions of specific architectural elements. For example, on the domes you can find the Nour ayat (the divine stress on light) written, above the main entrance you find verses related to the entrances of the paradise, on the windows the divine names of Allah are inscribed so that reflection of the sun rays through those windows remind the believer that Allah manifests Himself upon the universe in all high qualities.

 

Islamic architecture encompasses a wide range of both secular and religious styles from the foundation of Islam to the present day, influencing the design and construction of buildings and structures in Islamic culture. The principal Islamic architectural types are: the Mosque, the Tomb, the Palace and the Fort. From these four types, the vocabulary of Islamic architecture is derived and used for buildings of lesser importance such as public baths, fountains and domestic architecture.

A specifically recognizable Islamic architectural style emerged soon after Muhammad's time, inspired by Islam with addition of localized adaptations of the former Sassanid and Byzantine models, the Germanic Visigoths in Spain also made a big contribution to Islamic architecture They invented the Horseshoe arch in Spain and used them as one of their main architectural features, After the moorish invasion of Spain in 711 AD the form was taken by the Ummayyads who accentuated the curvature of the horseshoe. The Dome of the Rock (Qubbat al-Sakhrah) in Jerusalem (691) is one of the most important buildings in all of Islamic architecture, marked by a strong Byzantine influence (mosaic against a gold background, and a central plan that resembles that of the Church of the Holy Sepulchre, although the church itself was renovated several times in the Islamic period), but already bearing purely Islamic elements, such as the great epigraphic frieze. It featured interior vaulted spaces, a circular dome, and the use of stylized repeating decorative arabesque patterns. The desert palaces in Jordan and Syria (for example, Mshatta, Qasr Amra, and Khirbat al-Mafjar) served the caliphs as living quarters, reception halls, and baths, and were decorated to promote an image of royal luxury.



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